This shot marks the primary second we see Gracie and Elizabeth in a mirror collectively, as they collect for a day of graduation-dress looking for Gracie’s daughter, Mary (Elizabeth Yu). The scene turns tense when Gracie casually humiliates her daughter by insulting her favourite choice—with Elizabeth intently attuned to each beat within the chilly back-and-forth.
Todd Haynes: Making the movie was a strategy of fascinated about the mirrors in scenes within the film, and utilizing the lens of the digicam because the precise mirror that actors would look into for their very own reflections of themselves. However this scene saved increasing and getting extra complicated.
Christopher Blauvelt: The problem was methods to cover the digicam and which angles the mirrors have been going to be; when you have got any mirror on any set, it’s tough since you’re hiding lights and stands and every thing. I at all times stare on the little self-importance over Natalie’s shoulder as a result of that’s the place the digicam is hidden. Additionally, it’s nice conceptually. Once I watch the movie and see the way it works and integrates into our multiplicity of what’s taking place throughout the story, it makes a lot sense. Your eye can go in any course. We play it largely as a one-er, and so it depends rather a lot on their performances, that are simply immaculate.
Haynes: That is the one mirror scene within the film the place we actually shot via a two-way mirror and hid the digicam behind the mirror. All the opposite mirror scenes, there is no such thing as a mirror; the actors are simply trying on the lens and taking part in it as a mirror. This took probably the most preparation of something as a result of it was so sophisticated. Sam Lisenco, the manufacturing designer, was…like, “Wait a minute. What if we put a mirror right here, and a mirror there, after which we see the strolling from the dressing room?” And to be trustworthy, Chris, at first I used to be like, Oh my God, that is simply going to be possibly an excessive amount of!
What you’re beginning to watch is the 2 girls watching themselves and one another in a relay. This scene is probably the most complicated as a result of it has Mary coming and going, and Natalie has simply executed her first interview in the midst of this investigative a part of the story, the place she talked to Gracie’s first husband. But it surely’s a lot about feminine our bodies, the mirroring of those two girls, how femininity will get handed on in corrupting methods from mom to daughter, and the spectacle and the humiliation of that being witnessed, once more, in mirrors upon mirrors.
The Stroll
